One of my favorite books ; "The Source" by James Michner

The Source is a historical novel by James A. Michener, first published in 1965. It is a survey of the history of the Jewish people and the land of Israel from pre-monotheistic days to the birth of the modern State of Israel. The Source uses, for its central device, a fictional tell in northern Israel called "Makor" (Hebrew: "source"‎). Prosaically, the name comes from a freshwater well just north of Makock, but symbolically it stands for much more, historically and spiritually.
Unlike most Michener novels, this book is not in strict chronological order. A parallel frame story set in Israel in the 1960s supports the historical timeline. Archaeologists digging at the tell at Makor uncover artifacts from each layer, which then serve as the basis for a chapter exploring the lives of the people involved with that artifact. The book follows the story of the Family of Ur from a Stone Age family whose wife begins to believe that there is a supernatural force, which slowly leads us to the beginnings of monotheism. The descendants are not aware of the ancient antecedents revealed to the reader by the all-knowing writer as the story progresses through the Davidic kingdom, Hellenistic times, Roman times, etc. The site is continually inhabited until the end of the Crusades when it is destroyed by the victorious Mameluks (as happened to many actual cities after 1291) and is not rebuilt by the Ottomans.

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Article from "The New York Times" Madagascar and Vanila plantations Photographs and Text by FINBARR O’REILLY AUG. 29, 2018

Comment: I once found a bag near a shopping Mall in Paris .... It looked like a girl owned it because it was full of makeup bits and pieces and there were a lot of cards in it , one of which belonged to a buisness school and this had her name on it. The student was from Madagascar and i was sighing to myself when i called the school and the receptionist wasnt helpful in finding the person i was looking for. I went to the consolate or Embassy one morning , spending money on a Taxi in order to give the bag to a safe person working there. The consolate reminded me of consolates or embassies representing very poor countries ... .... where is all the money and wealth going ? SAMBAVA, Madagascar — Bright moonlight reflected off broad banana leaves, but it was still hard to see the blue twine laced through the undergrowth, a tripwire meant to send the unwary tumbling to the ground. “This is the way the thieves come,” sai...

LA Republica : A Verona lo street artist Cibo combatte il fascismo e il razzismo con i murales

arti visive street & urban art A Verona lo street artist Cibo combatte il fascismo e il razzismo con i murales By Valentina Poli - 31 luglio 2018 QUANDO L’ARTE PUÒ DAVVERO FARE LA DIFFERENZA NELLE NOSTRE CITTÀ: CIBO È UNO STREET ARTIST VERONESE, CLASSE 1982, CHE CON IL SUO LAVORO PROVA A CANCELLARE LE SCRITTE E I SIMBOLI D’ODIO CHE AFFOLLANO I MURI COPRENDOLE CON FRAGOLE, ANGURIE, MUFFIN E ALTRE COSE DA MANGIARE. LA SUA STORIA Lavoro dello street artist Cibo “Non lasciare spazio all’odio” o “No al fascismo. Sì alla cultura” e ancora “Se ci metto la faccia è perché ho la speranza che altri mi seguano nel rendere le città libere dall’odio e dai fascismi, qualsiasi bandiera portino oggi. Scendete in strada e non abbiate paura! La cultura e l’amore vincerà sempre su queste persone insipide!”. Queste sono alcune frasi che si possono leggere sul profilo Facebook di Pier Paolo Spinazzè , in ...

Abigail Heyman’s Groundbreaking Images of Women’s Lives (from The New Yorker)

Photo Booth Abigail Heyman’s Groundbreaking Images of Women’s Lives By Naomi Fry November 1, 2019 “Houma Teenage Beauty Contest,” 1971. Photographs by Abigail Heyman In a two-page spread featured early on in “ Growing up Female ,” a photography book by Abigail Heyman, from 1974, two black-and-white pictures are laid out side by side. The left-hand photo shows a reflection of a little girl, from the shoulders up, gazing at herself in a bathroom mirror. The child, who is perhaps four or five, with dark, wide-set eyes and a pixie haircut, is separated from her likeness by a counter, whose white-tiled expanse is littered with a variety of beauty products: perfume bottles, creams, and soaps. These quotidian markers of feminine routine are accompanied by an element of fantasy; gazing at herself, the little girl stretches a slinky into a makeshift tiara atop her head. Seemingly mesmerized by her own image, she is captured at the innoce...

Life and Opinions of an Artist ; "A Time For Dreamers"

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