The Inshallah Cards (The God Willing Cards) ; 1995/2018

"The Inshallah Cards" This is a print which i made in the via Fiesolana studio in 1998

Inshallah Cards : Il Ponte is an engraving printed at Victoria's engraving studio in Piazza Peruzzi 1990

Inshallah Cards

Dialogue !

In My pictures of Florence with animals , my faithful life companions Mooshie and Mooshina inspired me ....

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Article from "The New York Times" Madagascar and Vanila plantations Photographs and Text by FINBARR O’REILLY AUG. 29, 2018

Comment: I once found a bag near a shopping Mall in Paris .... It looked like a girl owned it because it was full of makeup bits and pieces and there were a lot of cards in it , one of which belonged to a buisness school and this had her name on it. The student was from Madagascar and i was sighing to myself when i called the school and the receptionist wasnt helpful in finding the person i was looking for. I went to the consolate or Embassy one morning , spending money on a Taxi in order to give the bag to a safe person working there. The consolate reminded me of consolates or embassies representing very poor countries ... .... where is all the money and wealth going ? SAMBAVA, Madagascar — Bright moonlight reflected off broad banana leaves, but it was still hard to see the blue twine laced through the undergrowth, a tripwire meant to send the unwary tumbling to the ground. “This is the way the thieves come,” sai...

Abigail Heyman’s Groundbreaking Images of Women’s Lives (from The New Yorker)

Photo Booth Abigail Heyman’s Groundbreaking Images of Women’s Lives By Naomi Fry November 1, 2019 “Houma Teenage Beauty Contest,” 1971. Photographs by Abigail Heyman In a two-page spread featured early on in “ Growing up Female ,” a photography book by Abigail Heyman, from 1974, two black-and-white pictures are laid out side by side. The left-hand photo shows a reflection of a little girl, from the shoulders up, gazing at herself in a bathroom mirror. The child, who is perhaps four or five, with dark, wide-set eyes and a pixie haircut, is separated from her likeness by a counter, whose white-tiled expanse is littered with a variety of beauty products: perfume bottles, creams, and soaps. These quotidian markers of feminine routine are accompanied by an element of fantasy; gazing at herself, the little girl stretches a slinky into a makeshift tiara atop her head. Seemingly mesmerized by her own image, she is captured at the innoce...

LA Republica : A Verona lo street artist Cibo combatte il fascismo e il razzismo con i murales

arti visive street & urban art A Verona lo street artist Cibo combatte il fascismo e il razzismo con i murales By Valentina Poli - 31 luglio 2018 QUANDO L’ARTE PUÒ DAVVERO FARE LA DIFFERENZA NELLE NOSTRE CITTÀ: CIBO È UNO STREET ARTIST VERONESE, CLASSE 1982, CHE CON IL SUO LAVORO PROVA A CANCELLARE LE SCRITTE E I SIMBOLI D’ODIO CHE AFFOLLANO I MURI COPRENDOLE CON FRAGOLE, ANGURIE, MUFFIN E ALTRE COSE DA MANGIARE. LA SUA STORIA Lavoro dello street artist Cibo “Non lasciare spazio all’odio” o “No al fascismo. Sì alla cultura” e ancora “Se ci metto la faccia è perché ho la speranza che altri mi seguano nel rendere le città libere dall’odio e dai fascismi, qualsiasi bandiera portino oggi. Scendete in strada e non abbiate paura! La cultura e l’amore vincerà sempre su queste persone insipide!”. Queste sono alcune frasi che si possono leggere sul profilo Facebook di Pier Paolo Spinazzè , in ...

Life and Opinions of an Artist ; "A Time For Dreamers"

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